柯林伍德的“可能”  

The Possibility of Collingwood

作　　者：庄长达[1] 

机构地区：[1]闽江学院服装与艺术工程系,福建福州350108

出　　处：《艺术探索》2010年第3期60-61,共2页Arts Exploration

摘　　要：审美情感无功利论和艺术创作无目的论是柯林伍德艺术理论的两个方面。20世纪90年代以来,艺术逐渐走向市场化,艺术创作转变为艺术生产,无功利的审美理念和艺术创作无目的论成为艺术家将艺术创作过程化进而转变为艺术生产的策略。柯林伍德艺术揭示社会意识腐化的主张也在当下艺术商业化的环境中成为艺术生产的一个幌子。This article discusses the current possibility of Collingwood's theory of art which emphasizes that art is the representation of emotions,and has two aspects:the non-profitable taste sensibility and the dysteleology of art design. Since 1990s,art gradually goes to market,and art design becomes art production. The non-profitable taste sensibility and the dysteleology of art design are artists'strategies to turn art design into process,and then make it art production. Collingwood's opinion that art can open out the contagion of social consciousness also turns to be a camouflage of art production while art becomes commercial now.

关 键 词：柯林伍德 艺术情感非功利性 艺术创作无目的性 策略 艺术生产 

分 类 号：J205[艺术—美术]