女性意识的觉醒——《倩女离魂》与《桃源三访》爱情观之比较  

On the Disillusion of Feminist Consciousness

作　　者：陈仕国[1] 

机构地区：[1]福建师范大学

出　　处：《鸡西大学学报（综合版）》2010年第4期113-114,共2页JOurnal of Jixi University:comprehensive Edition

摘　　要：爱情是文学作品中的一个永恒的主题。《倩女离魂》与《桃源三访》分属于元明时期两部爱情名剧。试运用比较的方法,对剧本的主题和内容所呈现的爱情观及张倩女与王文举、叶蓁儿与崔护体现的爱情理想作以分析,以便我们深刻理解作品的审美价值以及作家的审美理想,进一步阐释女性意识的觉醒。Love is an eternal theme of the literary works. QianNu＇ s Soul Fleeing into Her Lover and Visiting Heaven for three times are two famous drama works produced in Yuan Dynasty and Ming Dynasty in China respectively. This article analyzes the two love stories in terms of their theme and dramatic scenario and ties to manifest the ideal between Zhang Qiannv and Wang Wenju, Ye Zhener and Cui Hu. The purpose of the paper is to discuss the aesthetic value of the works and the aesthetic ideals of the stories .

关 键 词：《倩女离魂》 《桃源三访》 爱情 女性意识 “至情” 

分 类 号：I206.2[文学—中国文学]