《夏伯阳与虚空》的碎片化叙事——俄罗斯后现代的叙事特征之管窥  

The Fragment-rization in "Xia Bo Yang and Hollow"——Russian Post modern narrated characteristic

作　　者：陈露[1] 段朝霞[1] 许夙慧[1] 

机构地区：[1]信息工程大学,河南郑州450001

出　　处：《安阳师范学院学报》2010年第3期79-82,共4页Journal of Anyang Normal University

摘　　要：本文从叙事学的视角进入,选择俄罗斯新生代作家维克多·佩列文和他的代表作品《夏伯阳与虚空》,对俄罗斯后现代主义的叙述特征进行探索,发现了碎片化叙述手法;其中时空、人物和语言碎片拼贴出了"三位一体"的"上帝"在俄罗斯寻找精神信仰的过程,最后走向虚无。碎片化明显暗合了西方后现代主义解构的叙述特征,但又有俄罗斯后现代的独特性,即重新叙述俄国精神信仰史、探索上帝和俄罗斯民族的关系。I choose Russian Cainozoic popular writer Victor Pelieven and his representative work ＂Xia Bo Yang and hollow＂,probe narrated gimmick in Russian literature Post modernism.I found the fragment-rization.The space-time fragment,personage fragment and language fragment has deduced the ＂Three-in-One＂ God process seeking spirit belief in Russia.Finally ＂Son of Man ＂ go toward the trend nihility in lingering ＂of three-position ego ＂.The fragment-rization obviously agreed without prior consultation west post Modernism description characteristic.But the Russian narration is peculiar.to give the history narrating Russia belief again,and probe God and Russia nation relation.

关 键 词：维克多·佩列文 《夏伯阳与虚空》 后现代叙事特征 

分 类 号：N031[自然科学总论—科学技术哲学]