明式木器纹样及形态管窥  

Analysis of Ming-style Wooden Artifact Patterns and Shape

作　　者：王书万[1] 赵冀[1] 黄晓波[1] 

机构地区：[1]北方工业大学,北京100144

出　　处：《包装工程》2010年第14期96-99,共4页Packaging Engineering

摘　　要：以2件明制木器的纹样及功能形态出发,以出土实物、文献和调研为依据,分析了明代木器纹样的风格、传承和嬗变,并结合特定历史生活中的礼制、观念和宗教,论述了木器纹样及形态的价值,进而分析了其间蕴含的设计精神。在此基础上,提出了以"宗教为本"、"以人为本"、"崇尚自然"及"和谐"为内涵的中国哲学韵味的复合型设计观,也为准确理解明代传世造物的内涵及特征寻其研究方式与途径。Taking the patterns and functions of two Ming-style furniture as a starting point, according to the unearthed objects, documents and research as the basis, it analyzed the style wood patterns, inheritance and evolution of Ming Dynasty, Combined with the ritual, value and religion in a specific life history, discussed the value of wood pattern and form, and then analyzed the design spirits. On this basis, it proposed the design creation of ＂religion-based＂, ＂people-oriented, ＂respect for nature＂ and ＂harmony ＂theme. This theme not only shows the charm of the composite design concept of Chinese philosophy, bat also for an accurate understanding of the Ming Dynasty and the characteristics of the content creation handed down look for ways and means of their research.

关 键 词：明制木器 纹样 年代 设计精神 

分 类 号：J525.3[艺术—艺术设计]