论文革平面设计艺术中符号化的构成形式  

Composition Form of Symbolic in the Graphic Design Arts of Cultural Revolution

作　　者：李珂[1] 

机构地区：[1]聊城大学,聊城252059

出　　处：《包装工程》2010年第14期110-112,128,共4页Packaging Engineering

基　　金：教育部人文社科一般项目(07JD60003)

摘　　要：利用文革平面设计艺术来整理和分析文革期间一切和视觉有关的文化,由文革平面设计艺术中符号化的构成形式来审视文革中传统绘画和大众视觉艺术形式之间的关系,将美术与设计两者统一纳入到"视觉识别系统"的语境里,从而有助于总结归纳最能代表文革的典型视觉形象。Applying the graphic design art of cultural revolution to collate and analyze all during the cultural revolution and visual-related culture, looked at the relationship between the traditional painting and popular visual art form from symbolic in the graphic design art of cultural revolution, combined the art an design into a unified ＂visual identification system＂ discourse, and thus contributed to sum up the best representative for the typical visual image in the cultural revolution.

关 键 词：文革平面设计艺术 符号化 构图 造型 色彩 

分 类 号：J524.1[艺术—艺术设计]