“社会剖析派”的诞生——从“自然主义”向“写实主义”嬗变的茅盾  

The Birth of "Social Analysis School"——Maodun's Transmission from "Naturalism" to "Realism"

作　　者：李建东[1] 

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《盐城工学院学报（社会科学版）》2010年第2期40-43,共4页Journal of Yancheng Institute of Technology（Social Science Edition）

摘　　要：茅盾是有着纪录中国社会的"宏大叙事"理想的作家,又是致力于引进西方文艺思想的理论家。他对于西方"自然主义"文学思潮的引进,目的是吸取一种注重"实证"的近代科学精神,并且不着痕迹地完成了由理性世界向感性世界的过渡,创作了显示左翼文学实绩的《子夜》等一系列文学名著,在实践上印证了中国式的"写实主义",催生了社会剖析小说流派的诞生。Maodun is the writer who has the ＂grand narrative＂ ideal with the Chinese society recording,and the theorist also keeps trying to introduce the western literary into China.His introduction about the western ＂naturalistic＂ literary trend,which has the purpose to draw one kind of ＂empirical＂ modern scientific spirit,and with no trace to finish the transition from reasonable world to the sensible world,and has already created a series of literary classics which show the left-wing literary achievements such as Midnight.At practice of proving the Chinese ＂realism＂ novel,it gives the birth of social analyzing schools.

关 键 词：茅盾 自然主义 写实主义 社会分析 

分 类 号：I206.6[文学—中国文学]