青藏高原民间舞蹈大众艺术体育初探——以锅庄舞为例  

Folk Dance as a Sport:a Study of the Tibetan Circle Dance

作　　者：陈爱华[1] 邓通图[1] 毕研洁[1] 

机构地区：[1]兰州大学体育教研部,甘肃兰州730000

出　　处：《科学．经济．社会》2010年第2期183-186,192,共5页Science Economy Society

基　　金：2009年甘肃省哲学社会科学规划项目

摘　　要：作为西部民族文化资源,藏族锅庄舞与现代社会大众多元化体育的对接、碰撞所产生的效果备受关注。通过对锅庄舞的种类及动作特点的分析,我们认为它属于民族传统体育范畴,从中发现无论是藏民还是汉民对于锅庄舞所具有一定艺术的审美情趣的价值是一致的。锅庄舞以多民族健身形式反映民众心理需求。The connection of the Tibetan folk dance form,the Circle Dance,or Guo Zhuang,to the mass sport in modern Tibetan areas has attracted considerable academic attention because of its cultural potential for ethnic development.Based on a study of the actions and features of each action,of the dance form,the paper holds that the aesthetic affinity between the Tibetan people and the Han Chinese people has made it possible for the circle dance to be practiced as a social activity for all ethnic groups.

关 键 词：锅庄舞 艺术 体育 

分 类 号：F403[经济管理—产业经济]