19世纪下半叶德意志地区协奏曲体裁式微原因探析  

Exploration and Analysis on Reasons of Decline in Concerto Genre in Deutsche Region in the Late 19th Century

作　　者：胡娉[1] 

机构地区：[1]星海音乐学院学报编辑部,广东广州510006

出　　处：《星海音乐学院学报》2010年第2期5-9,共5页Journal of Xinghai Conservatory of Music

摘　　要：德意志从来都作为协奏曲创作的中心,在19世纪下半叶却突然在协奏曲数量上锐减。从音乐外部的社会环境考察可见,大众丰富多彩的文化生活、音乐主流消费群体品味的下降、以及中产阶级对中小型标题音乐和风格小品的偏爱等,对协奏曲这类大型无标题的音乐体裁的继续盛行提出了严峻的考验。而从音乐内部体裁的自身发展来看,浪漫主义的内在本质决定了奏鸣套曲的衰落,也影响到协奏曲体裁的盛行。Deutsch had been the center of concerto composition before late 19th century when the quantity of it＇s production declined sharply. Viewed from the external social environment, it can seen that the diverse nature of cultural life, declined taste in mainstream music comumer groups, and the preference of middle class to small - medium sized programme music and stylish works, all brought severe tests to prevalence of this la~ - scale absolute musical genre. From the development of the genre itself, the internal nature of Romanticism decided the decline in Sonata Suite, which also affected the prevalence of Concerto genre.

关 键 词：协奏曲 德意志 音乐体裁 

分 类 号：J609[艺术—音乐]