“万物同情观”对中国古代山水诗审美特质的影响  

The Impact of "All Compassionate Concept" on the Aesthetic Essence of Ancient Chinese Landscape Poems

作　　者：景遐东[1] 曾羽霞[1] 

机构地区：[1]湖北师范学院文学院,湖北黄石435002

出　　处：《海南师范大学学报（社会科学版）》2010年第3期93-96,共4页Journal of Hainan Normal University(Social Sciences)

摘　　要：中国古代山水诗在审美方式上用"以物观物"、万物同情的方式观照自然山水;在表现内容上注重生命意识的表达,以个体生命、生机盎然的事物为主要审美对象,以宁静、自由、和谐、永恒之美为主要审美特征;在审美理想上则寻求人与自然的和谐,追求"天人合一"、物我冥合的至高境界。In terms of aesthetics,traditional Chinese landscape poems tend to approach natural landscape in a style of all compassion as well as ＂viewing objects against objects＂ ,while due attention is paid to the expression of life consciousness in their content,with individual life and exuberant things as their primary objects of aesthetics. Those poems,aesthetically characterized by tranquility,freedom,harmony and eternal beauty,aim to pursue harmony between humans and nature in terms of aesthetic ideals so as to attain the paramount state of ＂unity between humans and nature＂ and implicit integration between nature and humans.

关 键 词：万物同情 山水诗 审美特质 和谐 

分 类 号：I206.2[文学—中国文学]