山水实景演出:一种新的艺术形式  

Real-life Scenery Performance:A New Artistic Form

作　　者：孙海兰[1] 焦勇勤[1] 

机构地区：[1]海南大学人文传播学院,海南海口570228

出　　处：《海南师范大学学报（社会科学版）》2010年第3期117-119,共3页Journal of Hainan Normal University(Social Sciences)

基　　金：2009年海南社科基金项目;项目编号:HNSK09-15;2009年海南省教育厅高校科研项目;项目编号:HJSK09-05

摘　　要：山水实景演出作为一项文化创新产业项目在中国内地形成一股热潮。它缘起于景观歌剧,伴随着2003年张艺谋《印象.刘三姐》的首演成功而诞生。它不仅带来了巨大的经济效益,而且创造了一种新的艺术形式。同时,这种开发热潮也可能引发一系列潜在的问题。As an industrial project of cultural innovation,the real-life scenery performance is on the upsurge in China. Originating from the landscape opera,it came into being with the successful debut in 2003 of The Impression of Liu Sanjie directed by Zhang Yimou. It has not only brought huge economic profits but has created a new artistic form as well. Meanwhile,such an upsurge of development is also likely to cause a series of potential questions.

关 键 词：山水实景演出 景观歌剧 张艺谋 

分 类 号：I207.33[文学—中国文学]