从内部书写自我的完整维度——论伊丽莎白·亚历山大诗歌文化空间构建策略  

Construction of Cultural Space in Elizabeth Alexander's Poetry

作　　者：王卓[1] 

机构地区：[1]济南大学外国语学院

出　　处：《当代外国文学》2010年第3期122-132,共11页Contemporary Foreign Literature

基　　金：作者主持的国家社科基金青年项目"多元文化视野中的美国少数族裔诗歌研究"(项目批准号06CWW007)的阶段性研究成果

摘　　要：伊丽莎白·亚历山的诗学构建和诗歌创作代表了在"后灵魂时代"创作的美国非裔诗人的困惑和理想,也预示了当代非裔诗歌的走向。她提出的"黑人内部"诗学理念继承并发扬了当代非裔美国文学文化空间诗学建构的策略,并成为她和当代非裔美国诗人诗歌创作的动力之源。在她的诗歌创作中,"黑人内部"一方面被抽象成探触黑人灵魂的心理空间,另一方面又被具象成黑人女性生活核心的家宅空间,从而从比喻和真实的双重维度实现了从内部书写当代黑人,尤其是黑人女性自我的完整维度的理想。Elizabeth Alexander epitomizes both the dream and the predicament of other Mro-American poets in the post-soul era, and at the same time predicts the future of contemporary Afro-American poetry. Her concept of ＂Black Interior＂ inherits and develops the tradition of space construction in contemporary Afro-American literature which has been the primary source of her poetic creation. In her poetry, ＂Black Interior＂ is not only abstracted as a psychological space which touches the inner soul of the Black, but also objectified as a home image which is the center of black women＇s life. By so doing, Alexander achieves a full dimensional writing of the Black self.

关 键 词：伊丽莎白·亚历山大 “黑人内部”诗学 文化空间 

分 类 号：I712[文学—其他各国文学]