禅宗文化的性别倾向及其对男性文学创作的影响  

A Study of Influence of Gender Bias in Zen Buddhism Culture on Contemporary Male Literature

作　　者：李满[1] 陈韩兴 

机构地区：[1]江西教育学院,江西南昌330029 [2]鄱阳双港镇中心学校,江西鄱阳333100

出　　处：《江西教育学院学报》2010年第3期84-86,119,共4页Journal of Jiangxi Institute of Education

基　　金：江西省高校人文社科项目"庄禅文化在当代两性文学创作中的不同表现"的阶段性研究成果;编号:ZGW1009

摘　　要：禅宗文化就其总的性别倾向来说,具有女性性别倾向,但其自身内部亦存在着阴阳互补关系。而恰恰是这种阴阳两性倾向兼有的性质,使得男女两性在解悟和接受禅宗文化时各有所取,侧重不同。当代男性文学创作较为鲜明地体现了禅宗文化阳刚的一面。Viewing Zen Buddhism culture from gender bias, it has female gender Bias; but it has the relationship of the Complement of Yin and Yang in its internal, and it is the nature of the Complement of Yin and Yang that enabled the contemporary male and female writers to meet their different needs on comprehending and accepting Zen Buddhism culture. Contemporary male literature obviously embodied male gender bias in Zen Buddhism culture.

关 键 词：禅宗文化 性别倾向 男性文学创作 

分 类 号：I206.7[文学—中国文学]