格里格《a小调钢琴协奏曲》的音乐风格特征  

The Stylistic Features of Grieg's "Piano Concerto in a Minor"

作　　者：陈国庆[1] 

机构地区：[1]广东肇庆学院音乐学院,广东肇庆526061

出　　处：《贵州大学学报（艺术版）》2010年第2期39-43,共5页Journal of Guizhou University Art Edition

摘　　要：格里格是挪威民族乐派最伟大的作曲家,《a小调钢琴协奏曲(Op.16)》是其最重要的作品之一,然而,目前国内研究者对格里格音乐创作的研究主要集中在《钢琴抒情小品集》和组曲《皮尔.金特》上,对其协奏曲的研究明显薄弱。本文从传统的结构、民族化的节奏与和声以及极富个性的旋律与织体等方面分析格里格《a小调钢琴协奏曲》的音乐风格特征。Grieg is a greatest composer of Norwegian national music.＂Piano Concerto in a Minor（Op.16）＂ is one of his most important works.But the focus of the researches in China is mainly on Grieg＇s Lyric Piano Opusculum and Peer Gynt.The researches on his concertos are obviously inadequate.According to the conventional structure,nationalized rhythm and harmony and,melody and texture with extremely rich individual character,this paper analyses the important features and styles in Grieg＇s ＂Piano Concerto in a Minor＂.

关 键 词：格里格 《A小调钢琴协奏曲》 结构特征 音乐风格 

分 类 号：J605[艺术—音乐]