内心世界的图景--由陈晓勇《不可见的风景》谈个性在创作中的体现  

The Prospect of the Inward World:the Personality Comes Through in Creation From Chen Xiaoyong's Invisible Landscapes

作　　者：沈叶[1,2] 

机构地区：[1]上海音乐学院作曲系 [2]德国汉堡音乐戏剧高等学院

出　　处：《黄钟（武汉音乐学院学报）》2010年第3期67-77,154,共12页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：本研究以单个作品,陈晓勇的《不可见的风景》为观察主轴,进行了如下尝试:技术、结构与风格的关联分析;创作个性分析。本研究实践了不同作曲家和作品之间的比较分析手法,以及针对音高、音色、节奏和织体等多元素的综合分析手法。该研究的目的是通过音乐分析,从创作的共性的包围中,界定创作中个性成分的存在和意义。并且通过分析方法来论证:个性,如何全方位地影响作品的结构组织、意象组织,风格和技术。Reviewed on Chen Xiaoyong＇s Invisible Landscapes, the essay relational analysis of technique, structureiand style, analysis of personality in composition, practice the method of comparative analysis be- tween the different composers with their compositions. It is used the comprehensive analysis to the multiele- ment include the pitch, timbre, rhythm and texture. Through the musical analysis, the writer＇s intention was to definition of the personality existed and meant in creation, and through the method of analysis to argument how did the individuality all-directional influence on the composition with its organization structure, music imagination, style as well as technique.

关 键 词：陈晓勇 室内乐 创作技术 个性风格 组织结构 意象乐境 比较分析 要素综合分析 

分 类 号：J614.3[艺术—音乐]