中、日“算命曲”的传承变化  

The Change of Impart and Inherit for Fortune-Telling Song Between China and Japan

作　　者：刘富琳[1] 

机构地区：[1]福建师范大学音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2010年第3期155-164,共10页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：教育部人文社科规划项目(08JA760006);福建省社科项目(2008B106)<中国;琉球戏曲比较研究>的相关成果

摘　　要：《算命曲》是日本长崎"清乐"的曲目之一。长崎"清乐"是19世纪初,由金琴江、林德健等人传入日本长崎的中国音乐发展而成,它与我国的民间音乐具有深刻的联系。本文通过对日本长崎县立长崎图书馆馆藏"明清乐"乐谱资料及我国《中国民间歌曲集成》、《中国曲艺音乐集成》、《中国戏曲音乐集成》等的调查,搜集中、日"算命曲"的曲谱资料,了解它们的传承变化情况,并从曲词的比较,看其之间的联系。That the Fortune-Telling Song is one of repertoire of qingyue in Nagasake Japan. That the qingyue in Nagasake Japan was evolutionary from the Chinese music, which introduced to Japan by Jin Qin-jiang, Lin Dejian and others in the early of 19th Century, and it had a close relationship with Chinese folk music. Through investigation of music materials of ＂music in Ming and Qing Dynasties＂ collection in theNagasaki city library as well as the Collection of Chinese Folk Songs, Collection of Chinese Quyi （Folk Art Forms） Mu- sic, Collection of Chinese Traditional Opera Music in China, the paper collected the musical notation of ＂For- tune-Telling Song＂ existed both in China and Japan, got knowntheir changing situation of impart and inherit.compared the music with the text and reviewed on their relations as well.

关 键 词：中国民间音乐 日本长崎清乐 算命曲 传承变化 

分 类 号：J607.0[艺术—音乐]