梦性空间:静观指向的广阔性阐释——以小说《黄色糊墙纸》为例  

Virtual Space: On the Vastness of Mediating Aboutness

作　　者：毛延生[1,2] 

机构地区：[1]哈尔滨工程大学外语系,哈尔滨150080 [2]黑龙江大学外国语言文学博士后流动站,哈尔滨150001

出　　处：《四川师范大学学报（社会科学版）》2010年第4期90-95,共6页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：2010年度哈尔滨工程大学中央高校基本科研项目(项目编号HEUCF101201)子课题"文学语用学研究"的阶段性成果

摘　　要：吉尔曼的小说往往对于某一实物有着说不清的眷顾,这可以视为她对19世纪女性主义文学批评语境的现象学介入。其女性主义关怀根植于她对女性生存空间的思考,而其作品的女性主义内涵在于将女性生存空间的广阔性蕴涵于实物之上予以静观性阐释。与其他女性主义作品不同,《黄色糊墙纸》打破了传统女性主义作品过度依赖文化基座的封闭逻辑定势,而是以具有现象学意义的实物作为文学建构的载体,通过广阔性这一概念来勾连并彰显小说的女性主义主题。《黄色糊墙纸》中看似光怪陆离的延异空间中,折射出的是认知主体在本体定位上的扩散及其自我世界感知的嬗变,而这一切都直接指向女性生存空间的纠结与超脱。Judging from her stories,Charlotte Perkins Gilman seems always obsessed with a certain article,which can be treated as her phenomenological involvement in the 19th century feminist literary criticism context.Gilman＇s feminism is rooted in her speculations over the living space of women,while the feminist intension of her works lies in the mediating explanation of the vastness of feministic situation symbolized with a certain article.Distinguished from other feminism works,＂Yellow Wallpaper＂ breaks through the closed logic of excessive dependence on cultural backgrounds,takes an article full of phenomenological connotation as the vehicle of literature construction,and links and shows the feminist theme with notion of vastness.The weird space delineated in ＂Yellow Wallpaper＂ reflects the cognitive halo of oneself as well as the conceptive evolution encountered by the heroine,directing at entanglement and detachment in the female space.

关 键 词：夏洛特.吉尔曼 现象学 静观指向 《黄色糊墙纸》 

分 类 号：I712.074[文学—其他各国文学]