圆满建构中的八重难堪——论无名氏创作的文化构建  

Eight Embarrassments in Satisfactory Construction——On the Culture Construction by Anonym

作　　者：王明科[1] 

机构地区：[1]江西师范大学文学院当代形态文艺学研究中心,江西南昌330022

出　　处：《江西师范大学学报（哲学社会科学版）》2010年第3期75-80,共6页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：无名氏试图吸取墨家文化、道家文化、儒家文化、佛教文化、基督教文化等各种文化精华来进行中国现代文化建构,其不但具有博大内容与很高价值,同时更显示出文化再造的八难悖论:一是面对文化的必然冲突却要努力致力于文化的彼此融和,二是进行文化有限融合时处处面临着文化的时时冲突,三是文化建构者自身有着不可避免的的历史局限,四是建构者不断面临着现实境遇的有意无意折磨,五是建构理论与建构实践始终存在着背离,六是一种文化很难简单地随意像切物体一样地切开分开,七是假设能够随意切开但拿来精华后怎么与另一种文化的精华融合?八是如何在冲突与融合之间找到契合、在民族化与世界化之间找到一个契合点。Anonym attempts to draw various cultural essence of Mohism, Taoism, Confucianism,Buddhism, Christianity,etc. to construct modern Chinese culture theory, which not only has broad content and high value, but also shows eight paradoxes of culture recreation： firstly, he devotes to the integration of cuhure when facing the inevitable cultural conflicts ; secondly, he hourly faces cul- tural conflicts when working for the limited integration of culture ; thirdly, he has his own inevitable historical limitations; fourthly, he faces the torment consciously or unconsciously; fifthly, his theory and practice of construction are always deviated from each other; sixthly, the culture is hard to be cut randomly as solid; seventhly, if the culture can be cut randomly , how can it be integrated with the essence of another culture？ Eighthly, the integrated point between conflict and integration, the integrated point between nationalization and globalization have not been found yet.

关 键 词：无名氏 文化建构 墨家 道家 儒家 佛教 基督教 

分 类 号：I206.5[文学—中国文学]