民间艺术:传统与现代的文化再现——湘西民间艺术的人类学解读  

Folk Art:Traditional and Modern Cultural Representation——An Anthropological Interpretation of Folk Art in West Hunan

作　　者：明跃玲[1] 

机构地区：[1]吉首大学师范学院

出　　处：《广西民族大学学报（哲学社会科学版）》2010年第4期84-87,94,共5页JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION

基　　金：国家旅游局科研项目(10TAAG019)

摘　　要：民间艺术是有地方特色的传统文化,传统本身就是现代性的对应物或"他者",必然与现代性进行互构,通过现代性来显现自我。民间艺术关注的对象不仅是艺术品或作品,还要关注其在当下语境中与百姓常态生活的联系以及传承人在当下的传承方式与生存现状。以人类学的理论研究民间艺术须重视研究对象的"当下性",特别是对日常生活化的艺术活动的关注。Folk art is part of traditional culture with local characteristics. Tradition,as opposed to modernity or the ＂Other＂,is supplemented by modernity and represented by modernity. Folk art is interested not only in works of art,but also in how these works of art relate to people＇s daily life in the current context and how the later generations inherit the traditional and how they live their lives. Therefore,to study folk art with anthropological theories,one must pay special attention to the ＂instancy ＂ of the research object,especially to the artistic activities in people＇s daily life.

关 键 词：民间艺术 现代性 人类学 

分 类 号：C912.4[经济管理]