阿瑟·密勒《推销员之死》中天使与魔鬼的妇女形象  

On the Women Images Described as Angels and Monsters in the Death of a Salesman by Arthur Miller

作　　者：高俊利[1] 

机构地区：[1]盐城工学院大学外语部,江苏盐城224051

出　　处：《沈阳农业大学学报（社会科学版）》2010年第3期365-367,共3页Journal of Shenyang Agricultural University(Social Sciences Edition)

摘　　要：妇女形象批评家指出,传统文学作品中男性作家笔下的妇女形象往往呈两种极端形式:不是"天使"就是"魔鬼"。他们是以男性的臆造来认识和再现女性的形象,而这两种截然不同的妇女形象均反映了男性对女性的偏见、惧怕、压迫和不公。阿瑟·密勒在他的名剧《推销员之死》中所塑造的女性人物形象正落入这一窠臼。Critics of woman image have perceived that some male writers tend to go to extremes consciously or unconsciously, depicting women critics as reflecting the male writers＂ prejudice either as＂angels＂ or as＂monsters＂, which is criticized by and unfair attitude towards women. The women images Death of a Salesman, a famous play by Arthur Miller equally follow the beaten track.

关 键 词：妇女形象批评 推销员之死 阿瑟·密勒 天使 魔鬼 

分 类 号：J830.9[艺术—戏剧戏曲] I135[文学—世界文学]