明代禁毁演剧活动与戏曲搬演形态分层  

Ban on Theatre Activity in Ming Dynasty and the Different Strata of Forms in the Transformation of Drama

作　　者：丁淑梅[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《求是学刊》2010年第4期99-105,共7页Seeking Truth

基　　金：国家社科基金项目"中国古代禁毁戏剧编年史";项目编号:09BZW040

摘　　要：明代官方推行的戏剧文化管制政策,对宫廷与民间的演剧活动进行了权力切割和价值分化。与历时形态变迁的缓慢凝滞相对,戏曲搬演形态的共时分层显得异常活跃,演剧活动场阈的不同层次和阶段性变化,显示了明代剧坛分层自守、生态断裂的内在变异。The supervision policy of theatre in Ming Dynasty divides the power and the value between dra-matic activity in court and that among people.Compared with the slow chronological transformation of form,the synchronological strata of different forms are quite active.The different levels and stages of the context of drama in Ming Dynasty reveal the innate variation which is characterized by division of strata,self en-closed nature and ecological rupture.

关 键 词：明代 禁毁 演剧活动 形态分层 

分 类 号：I207.3[文学—中国文学]