论疏体画产生于六朝时期的必然性  

Study on the Inevitability of Sparse Style Drawing's Generation in Six Dynasty Period

作　　者：李俊华[1] 张海欧[1] 

机构地区：[1]曲靖师范学院美术学院,云南曲靖655000

出　　处：《大理学院学报（综合版）》2010年第7期79-82,共4页Journal of Dali University

摘　　要：由于魏晋南北朝时期特殊的时代背景,玄学、佛学的兴盛对当时的美学、艺术产生重要影响,直接导致了当时绘画产生新的品评标准,促成了吸取书法用笔的疏体画正式产生。Because of the special background of Wei-Jin and South and North Dynasties,the flourish of metaphysics and Buddhism had greatly influenced on then aesthetics and art,which directly lead the emergence of new evaluation standard for drawing and facilitated the generation of sparse style drawing absorbing calligraphic paint-brushing.

关 键 词：疏体画 玄学 佛学 气韵 书法 

分 类 号：J209[艺术—美术]