关于新诗技艺或技法的微观与动态特征  

Microcosmic and Dynamic Features of New Poetry Technique

作　　者：刘洁岷[1] 

机构地区：[1]江汉大学学报编辑部,湖北武汉430056

出　　处：《南京理工大学学报（社会科学版）》2010年第4期51-55,共5页Journal of Nanjing University of Science and Technology：Social Sciences

摘　　要：新诗技艺的概念可能要再定义或进一步划分,对于那些属于已经被广泛总结归纳了的公共诗歌技艺、诗歌语言的修辞技巧不会再在我们的讨论之列。我们针对的只是语言修辞边缘扎根于诗歌写作与鉴赏区间的技术,或者如诗人哑石所言的"微观技艺"。每一个诗人无论出色与否,他都有一套对付词语和修辞的潜规则(癖好),通过这个规则最终触及一个暗无天日的诗歌"密室/车间"。诗歌技艺技法千千万,但都可归结到对词语的细微感觉上和思维的丰富性上——历史感与生命意识都通过某种结构动态地粘附于其中。所以即使诗人的年龄增长了,诗艺与技法"炉火纯青"了,也不会真的就自然返璞归真,因为所谓诗歌话语的"返璞归真"还是必然可以归结到诗歌技艺技法上来的。The concept of new poetry technique needs to be redefined or re-categorized.Those widely discussed and generalized poetry technique and poetry rhetoric will no longer fall within our scope of discussion.Instead,we focus on poetry technique on the fringe of linguistic rhetoric and rooted in between poetry composition and appreciation.Such poetry technique is similar to the concept of microcosmic technique introduced by poet Ya Shi.Each poet,talented or not,masters a peculiar set of intrinsic skills or preferences for poetic language and rhetoric,through which he or she would ultimately touch and explore the mysterious and fabulous poetic realm.These numerous poetry techniques can be attributed to the exquisite feeling of words and richness of thoughts,as historical feelings and life consciousness lie in these poetry techniques with some certain dynamic structure.Even with growth of age and perfection of poetry technique,a poet would never truly return to nature,because the so-called returning to nature in poetry language will be inevitably ascribed to the poetry technique.

关 键 词：新诗技艺 微观 动态 修辞 本体 

分 类 号：I107.25[文学—世界文学]