符号学理论视野中纪实摄影的真实性分析  

Deconstructing the Reality of Documentary Photography behind Visual Images

作　　者：谢琳[1] 

机构地区：[1]汕头大学长江新闻与传播学院,广东汕头515063

出　　处：《汕头大学学报（人文社会科学版）》2010年第4期58-61,共4页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：我国对纪实摄影本体论和真实性的研究,很少从符号学分析入手,忽略了符号学语境下所潜藏着的价值。依据符号的直觉性、二重性、情感性和主观性,对纪实摄影视觉图像符号的真实性进行研究和探讨。From the perspective of semiotics, the human beings employ signs to record and describe their experiences whether for the sake of documentation or for the creation. The past research into the ontology and the reality of the documentary photography seldom started with the semiotic analysis and neglected the value concealed in the context of semiotics. This present paper, based on the intuitive insight, duality, feelings and subjectivity of the signs, offers research and exploration into the realities of the visual images of the documentary photography.

关 键 词：纪实摄影 符号学 视觉图像 直觉性 二重性、真实性 主观性 

分 类 号：J402[艺术—摄影艺术]