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作 者:赵娟[1]
出 处:《广西师范学院学报(哲学社会科学版)》2010年第3期110-114,共5页Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
基 金:2009年广西研究生教育创新计划项目<网络文学中的性别研究>(2009106030501M22)
摘 要:网络文学女性写作者的情爱叙事作为当代中国女性写作的重要组成部分,其所承载的文化意义无疑是典型而又丰富的,我们很容易捕捉到其自觉地从性别角度出发致力于哲理文化层面意义的探询。但是,这些情爱叙事对性别偏见的规避以及对人性的探询依然存在很多"历史"的局限,在一定程度上陷入了对当下和现实媚俗的陷阱。在追求价值多元化的环境下,网络文学女性写作者对爱情主题的叙述也要从爱情的社会性、自由性与和谐性进行理性的关照,只有走出以"性事娱乐"的浮躁叙事,爱情作品才能真正成为一种愉快而自由的美的欣赏和生命体验。The love narrative of the female writers in net literature constitutes an important part of the contemporary Chinese female writings. It undoubtedly carries abundant typical cultural meanings. It is easy to detect in their writings their philosophical and cultural reflections and explorations of love spontaneously from the angle of their sex. But as their writings fail to inquire into sex prejudice, and their reflections on human nature are confined by the time in which they are located, they more or less fall to victims of the pitfall, namely, catering to prevailing vulgar tastes. In the context of pursuing multivalues, female writers of net literature must ponder over the sociality, freedom and harmoniousness of love all alike in their love narrative. Only when they break away from shallow and flippant narrative of sex entertainment can love works be a free and enjoyable appreciation of beauty and an experience of life.
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