杜牧宫怨诗与王建宫词的比较与探析  

Comparison and Analysis of Du Mu's Palace Enmity Poem and Wang Jian's Gong Ci

作　　者：龚颖仪[1] 

机构地区：[1]西华师范大学文学院,四川南充637002

出　　处：《中北大学学报（社会科学版）》2010年第4期10-13,共4页Journal of North University of China：Social Science Edition

摘　　要：杜牧与王建均是唐代文学史上颇有影响力的诗人,虽然二者都创作了有关宫廷妇女题材的诗歌,即宫怨诗与宫词,且对后世造成了一定的影响,但他们的关注重点却截然不同:前者突出刻画宫女之"怨",在寄托自己身世之感的同时对宫女们的不幸遭遇寄予了深厚的同情;后者却着力表现宫女之"乐",以铺陈直叙法对宫女们的种种赏心乐事做了多方面全方位的展示。本文试图从对他们诗歌题材来源和创作手法等方面探析造成此种差异的原因。Du Mu and Wang Jian are two influential poets in the literary history of Tang Dynasty.Although both of them wrote poems of palace women,which were respectively named as Palace Enmity Poetry and ＂Gong Ci＂ and had certain influences on future generations,their focuses were utterly different.The former highlights the ＂resentment＂ in the sustenance of a sense of their own life experience to the palace when it sympathizes with the women＇s misfortune while the latter focuses on the women＇s ＂amusement＂ with many details.This paper analyzes the reasons that cause the difference from the sources of their poems and their writing styles.

关 键 词：杜牧 王建 宫怨诗 宫词 

分 类 号：I207.22[文学—中国文学]