保护还是破坏:论非物质文化遗产的原真性  

Protect or damage:discussion on the authenticity of intangible cultural heritage

作　　者：罗靖[1] 章牧[1] 

机构地区：[1]暨南大学深圳旅游学院,广东深圳518053

出　　处：《黑龙江民族丛刊》2010年第4期99-104,共6页Heilongjiang National Series

基　　金：教育部人文社科项目"广东省非物质文化遗产的数字化管理与开发式保护研究"(07JA630042)

摘　　要：非物质文化遗产是民族精神文化的重要标识,而原真性既是衡量遗产价值的标尺,也是保护遗产所需依据的关键,对于保护世界非物质文化遗产具有重要的指导作用和现实意义;以深圳首批国家级非物质文化遗产鱼灯舞为例,调查分析了它在传承人、工艺、场所、情感等方面的原真性,提出了对鱼灯舞原真性的保护应遵循以人为本、公众适度参与、适度创新、适度物质化四个原则,同时结合深圳地域文化从物态展示的原真和信息认知的原真两个层面,提出了保护鱼灯舞的四个设想,即保护制度化、遗产生活化、参与大众化和保护与管理数字化。Intangible cultural heritage is ticity is either a scale to measure the value of an important identity of national spirit and culture, while authen- heritage or the key basis for protection of heritage, so authenticity plays an important role in practical guidance to protection of the world intangible cultural heritage. The authors chose Fish Lamps Dance - the first batch of national intangible cultural heritage in Shenzhen as the object to analyze its authenticity in aspects of inheritor, process, location and emotion, and then ciples to protect Fish Lamps Dance, that are people - oriented, appropriate public involvement, appropriate innovation, and appropriate materialization. Finally, the authors suggested protecting Fish Lamps Dance by combining Shenzhen＇ s regional culture in material display level and information recognition level. The recom- mendations include protection institutionalization, heritage in life, mass participation and digital protection and management.

关 键 词：非物质文化遗产 原真性 鱼灯舞 保护 

分 类 号：G12[文化科学]