范长江新闻叙事中的春秋笔法  

On the Spring and Autumn Style in FAN Chang-jiang's News Narration

作　　者：翁礼明[1] 

机构地区：[1]内江师范学院文学与新闻传播学院,四川内江641100

出　　处：《内江师范学院学报》2010年第9期23-26,共4页Journal of Neijiang Normal University

摘　　要：历史与新闻在现代学科分类中属于互不相干的两门学科,历史叙事与新闻叙事似乎也风马牛不相及,然而,一旦新闻叙事的时效性消失便成为一种历史性叙事,严肃的新闻作品是面向历史的言说。范长江作为现代新闻叙事的一代宗师,从传统历史叙事中吸取营养,巧妙地将春秋笔法移植于新闻叙事之中,形成了独特的历史担当和风格技巧。其新闻叙事的独特性集中体现在道德评判、微言大义、笔削褒贬三个方面。History and news are the two different subjects in modern classification.The historical narration and the news one seem quite different.However,once if the news narration loses its timeliness,it will become a kind of historical narration.In fact,the serious news works are the monologue to the history.As a master of modern news narration,FAN Chang-jiang absorbed the nutrients from the traditional historical narration and employed the Spring and Autumn narrative style in his news works.On this basis,he formed his unique features and techniques.The uniqueness of his news narration is expressed in his moral judgment,simple words with deep meaning,and appraisal with his pen.

关 键 词：范长江 秋笔法 道德评判 微言大义 笔削褒贬 

分 类 号：G219.2[文化科学—新闻学]