后技术时代的展示艺术——基于世博会展示空间的理论探讨  

The Art Styles of Exhibition in Post-Technical Era:Theory Exploration Based on World Expo' Exhibition Space

作　　者：张敏[1] 傅懿瑾[1] 

机构地区：[1]上海大学影视艺术技术学院,上海200444

出　　处：《艺术百家》2010年第5期83-97,共15页Hundred Schools In Arts

基　　金：上海市高校人文社会科学重点研究基地项目"新媒体与现代会展"(项目编号:B.13-0114-07-008)阶段性成果之一

摘　　要：技术作为一个主要是在工业化过程中得到广泛使用的概念,往往同机器大生产、市场竞争和工具理性相提并论。后技术时代则与后工业社会、创新驱动和交往理性相适应,其展示空间在网络多媒体等高新技术的支持下,体现为人性化沟通的体验情境;其艺术风格追求回归人性,回归传统,回归自然。本文基于世博会展示空间的文本阐释,运用古典趣味、现代风格和后现代追求等概念,对其展示艺术的演变做历史的美学的描述;对其游戏体验、亲近自然和民族特色等价值追求,通过亲和、质朴与个性走向全方位沟通的艺术风格进行了具体探讨,初步明确了后现代展示艺术个性化参与的虚拟艺术这一基本走向。Technology,as a concept widely spread in industrialization,is always mentioned with large-scale mechanized production as well as with instrument rationality,while post-technical era is involved with post-industrialized society,innovation-orientation and communication rationality.The spatial art styles developed in the post-technical period follow a direction of back to tradition,human and nature through artificial experiences realized by high technologies such as cable science and multimedia.This essay,based on the text interpretation of the spatial art styles revealed in Expos＇ exhibition space,adopting concepts such as classical taste,modern style and post-modern values,depicts the development of the styles historically.Discussing the pursuit of delightful,natural and ethnic experiences as well as the aesthetic heading towards compatibility and communication concretely,it initially clarifies the trend of the spatial art styles in the post-technical era.

关 键 词：后技术时代 展示艺术 设计艺术 世博会展示空间 艺术创新 文化建设 美学意义 

分 类 号：J59[艺术—艺术设计]