参加生田流日本筝暑期学习后的思考  

Thinking after Taking Summer School of Ikuta Koto in Geijutsu Daigaku

作　　者：张玉雯[1] 

机构地区：[1]中央音乐学院

出　　处：《中央音乐学院学报》2010年第3期101-107,125,共8页Journal of The Central Conservatory of Music

摘　　要：日本筝源于中国,但在乐器、乐谱、演奏技巧、风格等方面都与今天的中国古筝有了很大的区别,生田流派便是当今日本俗筝的主要流派之一。日本筝音乐的部分特征反映了日本文化中秩序、节制、沉默、细致、群体性等价值观特点。笔者在赴日学习日本筝的过程中,还体会到在跨文化音乐交流的过程中,面对新的乐器,新的音乐,新的文化,需要怀抱着宽容和开放的心态;并由此对跨文化交流中存在问题的原因以及解决这些问题的措施进行了思考。Even though Japanese koto originated from China in Tang Dynasty,it is,definitely,different from Chinese zheng in instrument,notation,technique,musical style etc. Some characteristics of the koto music are corresponding with those of Japanese cultural,which include order,perseverance,silence,carefulness and collectivety.Meanwhile,some issues need to be noticed and when I study a new instrument,a new kind of music and a new culture in the intercultural musical communication. How to resolve contradictions in the procedure of acculturation and deculturation？ How to explain the reasons of difficulties in the intercultural study and communication？ How to improve the social ability of the intercultural communication which will happen more and more frequently in the future？ All of these above will be illustrated in the paper.

关 键 词：日本筝 日本音乐 日本文化 跨文化音乐交流 

分 类 号：J633[艺术—音乐]