楼兰两汉织物艺术论  

On Loulan Silk Works in Western and Eastern Han Dynasties

作　　者：李青[1] 张勇[2] 

机构地区：[1]西安美术学院科研处,陕西西安710065 [2]广东工业大学艺术设计学院,广东广州510090

出　　处：《新疆艺术学院学报》2010年第3期2-13,共12页Journal of Xinjiang Arts University

基　　金：国家社会科学基金艺术学项目"丝绸之路与西北民族美术史研究";编号:07EF8。本文为该项目阶段成果之一

摘　　要：两汉时期从内地输入楼兰的艺术品种主要有丝绸、漆器、铜镜、书法等,这些艺术品的面貌基本与同期中原艺术相一致,反映着汉文化的基本特征。但是,在楼兰地区所发现来自内地的丝绸织物在艺术上却展现出了一个全新的面貌。这些丝绸织物将东西方艺术图像融为一体,品种繁多、工艺精美,纹饰图案十分丰富,在艺术上达到了一个极高的境地,不但是楼兰艺术的经典作品,同时也是人类文明史上的珍贵遗产。The fully utilization of Silk Road is of vital importance to Loulan arts development in Western and Eastern Han Dynasties. During the age, most of imported works of art are silk, lacquer-ware, bronze mirror, calligraphy and so forth. Most of those works have nearly same artistic features as the mainland＇s, reflecting basic cultural character of Han dynasty. However, silk works unearthed in Loulan district appeared many different features in artistic. Those silk artistic works integrated Eastern and Western art image, with wide range of varieties, exquisite craft and rich in decoration patterns. These artistic works are highly reputed.They not only represent classic art works of Loulan, but also demonstrate a valuable history of human civilization heritage. Western, eastern and local arts constituted rich and varied artistic features of Loulan arts in Han Dynasty, which also filled the gaps in eastern and western art history research.

关 键 词：楼兰 丝绸之路 丝绸织物 两汉时期 

分 类 号：J523.1[艺术—艺术设计]