从戏曲到小说——晚明清初才子佳人文学模式的承袭  

From Traditional Opera to Novel:The Adoption of Caizi-Jiaren Literature Pattern in Late Ming and Early Qing Dynasty

作　　者：徐龙飞[1] 

机构地区：[1]中国戏曲学院基础教育部,北京100073

出　　处：《洛阳师范学院学报》2010年第4期73-78,共6页Journal of Luoyang Normal University

摘　　要：晚明清初的才子佳人文学发展史中,中篇传奇已逐渐消歇,才子佳人戏曲走向兴盛。才子佳人戏曲不但影响了才子佳人题材的话本小说,更是才子佳人章回小说的主要母体。从戏曲到小说,才子佳人文学模式在晚明清初进行了跨体裁的承袭。这种承袭的发生,有戏曲模式业已成熟、小说内在发展的需要、市场的刺激、作者的自身条件等多重原因。这次承袭,也是中国古代文学史上戏曲影响小说的一大例证。In the development history of Caizi - Jiaren （ man of talent and maid of beauty） literature, traditional opera has influenced the story-telling scripts of the same subject matter and it is the parent of the Caizi-Jiaren novel. The model of Caizi - Jiaren literature was adopted from traditional opera to novel. The reasons were ： the ripe of Caizi-Jiaren opera model, the need of inherent development of novel, stimulus form the market, the author＇ s one＇ s own condition, and so on. This adoption is the big illustration that the traditional opera influences the novel in the history of Chinese classic literature.

关 键 词：才子佳人文学 戏曲 小说 模式 承袭 

分 类 号：I207[文学—中国文学]