中国当代油画观念表达方式诠释  

Expressive Modes of China's Contemporary Oil Painting

作　　者：苏瀚宇[1] 武金勇[2] 

机构地区：[1]江西师范大学美术学院,南昌330072 [2]天津大学建筑学院,天津300072

出　　处：《天津大学学报（社会科学版）》2010年第4期364-367,共4页Journal of Tianjin University：Social Sciences

摘　　要：中国当代油画所经历的这个复杂而多元的发展过程,不仅是中西方文化的碰撞与融汇,也不仅是从解构到重建的演变过程,而且更重要的是艺术观念的转变。中国当代油画在不断吸收或借鉴西方现代、后现代艺术的理念、形式和语言表达方式的同时,结合中国当代油画发展的背景,创造出具有鲜明特色的观念表达方式。After undergoing complexity and multiplexing,China＇s contemporary oil painting is not only the combination of western and Chinese cultures,but also the evolution from deconstruction to reconstruction,and the most important is its resemblance of the change of artistic concept.China＇s contemporary oil painting has formed its own style of contemporary art by absorbing notion form and languge western modern and postmodern,and by combining China＇s contemporary background.

关 键 词：当代油画 观念 观念艺术 新生代 

分 类 号：J204[艺术—美术]