音乐人类学的历史语境与理论诉求  

The Historical Context and Theory Statement of Music Anthropology

作　　者：熊晓辉[1] 

机构地区：[1]吉首大学,湖南吉首416000

出　　处：《青海民族研究》2010年第3期24-27,共4页Qinghai Journal of Ethnology

基　　金：教育部人文社会科学2008年规划基金项目<音乐人类学的理论与实践>阶段性成果之一;项目编号:08JA850003

摘　　要：语境是音乐人类学一个主要概念。当前,音乐人类学对语境问题的否认和忽视,已成为自身生存与创新的根本性障碍。只有充分理解人类学与音乐学的理念,分析传统与现代话语中的理论预设,才能积极地为人们寻求新的理论、新的理解拓展道路。人们通过对语境的反思和探讨,增强了音乐人类学家对音乐人类学语境的认识,使音乐人类学语境向更为合理与科学的方向发展。The context is a main concept of music anthropology.At present,the denying and ignoring of music anthropology on context problem already become ultimaly obstade of self-existence and self-innovation.Only understanding the anthropology and musicology ideas sufficiently,analyzing theory in tradition and modern utterances can we widen the road actively for people to explore new theory and new understanding.Through self-examination and investigation of context people have strengthened the music anthropologist＇s cognition to music anthropology context,thus makes music anthropology context develop to the direction of more rational and scientific.

关 键 词：音乐人类学 语境 概念 理论诉求 

分 类 号：C912.4[经济管理]