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作 者:徐艳[1]
机构地区:[1]复旦大学古籍所,上海200433
出 处:《复旦学报(社会科学版)》2010年第5期19-28,77,共11页Fudan Journal(Social Sciences)
基 金:教育部人文社会科学青年基金项目"文学语言角度的南朝诗歌研究"(项目批准号:07JC751020);教育部人文社科重点研究基地复旦大学中国古代文学研究中心重大项目"中国中世文学思想史"(项目批准号:2000ZDXM750.11-44003)的阶段性成果
摘 要:因研究界于文学内容评价标准中存在的问题,南朝诗歌的历史价值长期以来得不到客观的评价。本文指出,南朝诗歌以辞采为中心的形式经营所得以表现的内容,远较前代诗歌内容概括、精细、曲折和深妙,由此拓展了内容表现空间,能够更为丰富地表现人性的内在要求。以此为基础,南朝诗歌可大致分为宋、齐、梁陈三个阶段,诗歌创作主要呈发展趋势,发展的主要脉络在于愈趋精妙的诗歌形式得以表现趋于概括、丰富、深妙的诗歌内容,其中梁陈宫体诗代表着南朝诗歌发展的顶峰。南朝诗歌以精致形式所得以表现出的抽象概括、精细微妙、曲折深入的内容是唐诗发展的重要基础。The content value of the poetry in the Southern Dynasties has been neglected and even depreciated for a long time in the history of Chinese poetry owning to the widely accepted criteria on literary content.This paper points out that the poetical content of the Southern Dynasties,which is expressed by its creative form centering around ci cai(coloration of the language),is far more generalized,complicated,deeper and subtler than before.In pursuance of ci cai,the poets in the Southern Dynasties enlarged the content of expression and represented richer requisition of the internal humanity.This paper also divides the development of the poetry of the Southern Dynasties into three phases:Song,Qi,and Liang and Chen,and highly appreciates the Gongti Poetry(the palace-style poetry)of the third phase as its peak.The subtlety,complexity,and profoundity of the content of the poetry in the Southern Dynasties are the important precondition for that of the Tang Dynasty.
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