《伤逝》新解  

A New Understanding of Grieving for the Dead

作　　者：齐宏伟[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2010年第3期50-54,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：教育部青年课题(EEA090424);国家社会科学基金项目(编号06BZW019)

摘　　要：对鲁迅《伤逝》的理解不能忽视鲁迅爱情观及其与存在哲学家克尔凯郭尔爱情观的联系,不能忽略《伤逝》所受《诱惑者日记》的影响。鲁迅追随克氏,把爱情与个体精神的成长联系起来,以爱情为精神成长之台阶,因此《伤逝》中透露出"审美阶段-伦理阶段-宗教阶段"的痕迹,主人公从文学家影响下的唯美爱情到道德责任的逃避与受谴责,再到准宗教性的忏悔,涓生其实还是获得了某种程度上的精神成长。鲁迅写《伤逝》不只为强调经济权之重要,更为强调个体精神成长之重要,而这都离不开克氏与《诱惑者日记》的影响。正是在世界文学的关联和比较文学的视野中,《伤逝》主旨得到更为准确的解读。In understanding Lu Xun＇s Grieving for the Dead we can not neglect the relation between Lu Xun＇s view of love with that of the existentialist philosopher Kierkegaard,and the influence of The Seducer＇s Diary on Grieving for the Dead..Following Kierkegaard,Lu Xun linked love with the growing up of individual spirituality,considering love as steps of growth of spirituality.So the Grieving for the Dead demonstrates a trace of ＂aesthetic stage – ethic stage – religious stage＂.From the aesthetic love to escaping the ethic responsibility and being denounced,and finally to the quasi-religious penitent,the protagonist Juan Sheng has acquired certain growth in his spirituality.In writing this novel,Lu Xun emphasizes more on the importance of growth of individual spirit,rather than only on the importance of economic right.All of these can not be separated from the influence of Kierkegaard＇s The Seducer＇s Diary.The theme of Grieving for the Dead can be understood more accurately only in perspective of world literature and comparative literature.

关 键 词：鲁迅 《伤逝》 克尔凯郭尔 《诱惑者日记》 精神成长 

分 类 号：I210.6[文学—中国文学]