《熊图腾》:在四重语境中的新阐释  

A New Interpretation of the Totem-Bear in Fourfold Context

作　　者：代云红[1] 

机构地区：[1]曲靖师范学院人文学院,云南曲靖655011

出　　处：《百色学院学报》2010年第3期1-5,共5页JOURNAL OF BAISE UNIVERSITY

摘　　要：叶舒宪的文学人类学研究之所以能引风气之先并给人以学术启迪性,就在于他能不断地反省自己,超越自己。他在《熊图腾》中的自我反省与超越表现在:一是从文本研究走向田野调查,对华夏起源问题进行重新审视;二是对图腾批评的再阐释,从父权制文化的祖先神话图腾的考察走向史前"女神文明"的探究;三是明确提出"四重证据法",并尝试"四重证据法"在揭示中华祖先神话起源方面的阐释效力;四是在民族志"写文化"的批判反思语境下对写作形式的初步探索。The reason why the study of literary anthropology by Ye Shuxian can often lead the trend and give people academic enlightenment lies in that he can constantly reflect on and transcend his own. Such self-reflection and self-transcendency in his The Totem-Bear are showed in the following four aspects. Firstly,he re-surveys the issue on the origin of China from text study to field investigation. Secondly,he re-interprets the totem criticism,investigates the ancestral myth totem, and then makes inquiry into the prehistoric goddess of civilization. Thirdly, he puts forwards the method of fourfold-evidence, by which he reveals the origin of Chinese ancestral mythology. Fourthly,he initiates an exploration into the forms of writing under the critical reflection context of ethnographical ＂writing culture＂.

关 键 词：《熊图腾》 文学人类学研究 四重证据法 华夏起源 文明反思 

分 类 号：I206[文学—中国文学]