康熙钦定的清代黄钟律高  

The Pitch level of the Huangzhong Authorized by Kangxi in the Qing Dynasty

作　　者：郑荣达[1] 

机构地区：[1]武汉音乐学院音乐学系,湖北武汉430060

出　　处：《星海音乐学院学报》2010年第3期13-16,共4页Journal of Xinghai Conservatory of Music

摘　　要：有关民间传统工尺七调的相关理论中,都把清代工尺七调的调首小工调定位在1=D,即是以明代"上"字所在的律位作为清代的黄钟律位。文中将通过清代《御制律吕正义》等相关文献的分析和解读,论证存在于康熙、乾隆年间宫廷音乐中的,不同于民间音乐流传的黄钟标准律高问题。In the theory related to the folk traditional seven-gongche-tones,the prime tone of the seven-gongche-tones is pitched at D,i.e.the pitch level of Shang（a word） in the Ming Dynasty is used as the pitch level of Huangzhong in the Qing Dynasty.Through the document the Music Encyclopedia of Imperial Version and other work’s analysis and apprehension,the article demonstrates in the royal court music of Kangxi and Qianlong times the problem of the standard Huangzhong’s pitch level which differs from the Huangzhong circulated in the folk.

关 键 词：康熙 黄钟 律吕正义 工尺 俗乐调 正声律 

分 类 号：J612.2[艺术—音乐]