模糊“时间”结构——论非限量节奏形态的对应关系  

On the Correspondence Relation of Unlimited Rhythm Form

作　　者：杨晓忠[1] 

机构地区：[1]四川音乐学院作曲系,四川成都610021

出　　处：《音乐探索》2010年第3期42-46,共5页Explorations in Music

摘　　要：本文通过对构成音乐作品非限量节奏形态语言的方式和形成其结构特征的诸多因素进行多角度的研习,以节拍与节奏、音高与节奏、节点与节奏、偶然因素与节奏几方面的节奏构造关系为对应分析对象,从中尽可能地认知非限量节奏形态语言可能对音乐结构产生的作用与影响,使其成为解构作品的有效途径之一,进而达到合理地理解时间结构的多样性和模糊性。This article includes discussions concerning the unlimited rhythm form language which composed music and a good deal of elements which take form its structure features, taking the relationship between meter and rhythm, pitch and rhythm, node and rhythm as well as contingency and rhythm as objects, making a cognition of the influence of unlimited rhythm form on music structure, in hopes to understand the variety and obscuration of time structure.

关 键 词：时间 结构 节奏 形态 对应 模糊 非限量 不确定 

分 类 号：J614[艺术—音乐]