论扬琴演奏“点”、“线”、“面”的辩证统一  

On the Dialectical Unity among Spot,Line and Surface in Dulcimer Performance

作　　者：王英[1] 

机构地区：[1]四川音乐学院民乐系,四川成都610021

出　　处：《音乐探索》2010年第3期82-84,共3页Explorations in Music

摘　　要："点"、"线"、"面"既具普遍性,又有特殊性。它们既是构成乐音运动的三种主要表现形态,同时又是音乐结构体系中三种不同性质的层面。多元化的演奏理念、立体化的演奏思维以及丰富多彩的演奏技法是扬琴演奏艺术深入发展的必由之路。Spot, line and surface are the three main manifestation of music move- ment. The article, on the one hand, gives an overview of some relative issues of above three main manifesta- tions in dulcimer - performance and represents the dialectical unity among them, on the other hand, it is also thought that, the pluralism of performing ideal, solid performing thinking and colorful performing skills are the only way to impel a development of dulcimer performance.

关 键 词：扬琴 发音形态 表现形态 演奏技法 辩证统一 

分 类 号：J632.51[艺术—音乐]