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作 者:左雪松[1] 韦磐石[2] 张军[2] 张翔[2] 彭建兵[2] 黄守斌[2] 赵燕[2]
机构地区:[1]贵州师范大学,贵州贵阳550001 [2]兴义民族师范学院,贵州兴义562400
出 处:《兴义民族师范学院学报》2010年第2期38-42,共5页Journal of Minzu Normal University of Xingyi
基 金:2009年贵州省优秀科技教育人才省长专项资金项目(社会科学类):黔西南布依族文化心理的发展与变迁,项目负责人:韦磐石;项目课题组成员:韦磐石、张军、张翔、彭建兵、黄守斌、赵燕、左雪松、张晶、杨宗枚.合同编号:黔省专合字(2009)15号.
摘 要:从马克思主义真善美观出发对黔西南布依族审美情感的内容及表现进行分析,可总结出三个特点:共同性,其形成符合皮亚杰的发生认识论,表现为生产生活方式、民俗、文学艺术作品等形式;矛盾性,黔西南布依族审美情感的外部表现特征与其民族性格的情绪特征相矛盾;独特性,审美情感本身的外向性特征及汉族对黔西南布依族的影响,多样合理的审美情感外部表现形式的存在和祖先崇拜对诸审美情感外部表现形式的应然化,使得黔西南布依族热烈奔放、泼辣外向的审美情感与含蓄内向、阴柔沉敛的民族性格间的矛盾得以统一。From the standpoint of the truth, the goodness and the beauty of Marxist aesthetics, the contents and expressions of aesthetic emotion of Buyi people in Southwest Guizhou province are analyzed. And the traits of Buyi people' s aesthetic emotion can be concluded as: intercommunity, Buyi people' s aesthetic emotion can be explained by Piaget' s genetic epistemology and be found in their folk-custom, their literature or art works; contradictoriness, the external representation of their aesthetic emotion contradicts the emotional characteristics of their national character; specialty, the extroverted aesthetic emotion and the introverted national character of Buyi people is integrated harmoniously by this minority' s history of contact with the Han nationality, by their unique ethnical expressing modes and the rationalization to these modes from their ancestor worship.
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