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机构地区:[1]武漢大學文學院 [2]廈門大學文學院
出 处:《中华文史论丛》2010年第3期187-227,共41页Journal of Chinese Literature and History
基 金:國家社會科學基金項目《兩宋士大夫文學研究》(06BZW035)的階段性成果
摘 要:贬谪文化演进至北宋,在贬谪动因、受贬人数、严酷程度等方面,均表现出与唐人的若干差异,而贬谪文人自我保护意识的增强和努力走向超越的精神意向,与文学的关系最为紧密。诸如文体选择的谨慎性、情感表达的多层次性、作品传播方式的隐蔽性等文学新动向,较为有效地消解了高压政策带给文学的负面影响;而置身逆境的旷违心态和超越意识,作为北宋文人共通的心理诉求,反映在审美情趣上,与“中和”接榫;表现在文学创作上,则与“平淡”、“乐易”同构。由此,人格、心态、文学,在精神上气血相通,相辅相戍。眨谙文化的内涵和构成.至北宋已臻于成熟和稳定。There were differences in the aspects of the causes,the scale, the extent of severity of relegating in the Northern Song Dynasty in contrast with Tang Dynasty,as the culture involving relegating of officials kept developing.The enhancement of the sense of self-protecting and the tendency of going beyond the earthly world of the relegating group,attached great affinity to literature.The adverse impact upon literature of the coercion policy was somewhat effectively relieved by the new tide including the discretion in the choice of style, the multi-dimensional presentation of deep emotion,and the elusive characteristics of the media spreading the works.The broad-minded and extramundane attitude toward life and death in adversity,as the common feeling of all literati,has a common sense with the Chinese philosophy modesty and peace in mind in the aspect of aesthetics,and embraces the same structure with the concept of simplicity and enjoying plain life in the aspect of style.The cultural connotation and structure of the so-called relegating culture had matured and stabilized in the Northern Song Dynasty,as a result of the spiritual harmony of personality,mind and literature.
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