“唱歌一般的哭声”——论《伤逝》的“抒情性”  

The crying that sounds like singing——on the lyricism in Regret for the Past

作　　者：卢建红[1] 

机构地区：[1]广东商学院人文与传播学院,广东广州510320

出　　处：《广州大学学报（社会科学版）》2010年第9期82-86,共5页Journal of Guangzhou University:Social Science Edition

摘　　要：在鲁迅的第一人称抒情性小说(《故乡》、《在酒楼上》、《孤独者》、《伤逝》)中,《伤逝》有其特殊性。不仅因为它是鲁迅唯一一篇爱情题材的小说,也在于它是一个最容易引起歧解甚至对立性解读的文本。这与读者对它的表述方式——"第一人称独白",对小说之"抒情性"的不同理解相关。文章从"独白"与"叙述"、"叙事"与"抒情"的关系以及抒情内在的悖论等问题入手,试图呈现《伤逝》抒情的复杂面向和抒情主体的内在困境。Of Lu Xun＇s stories that were written in the first person, such as My Old Home, In the Wine Shop, The Misanthrope, and Regret for the Past, the story of Regret for the Past is particular in that it is the only story about love by Lu Xun, but it is a story that is most ambiguous. This ambiguity is largely caused by its First Person monologue and its lyricism. The author of this paper tries to presents the complexity and dilemma of the subject of the lyricism in the story from the perspective of monologue＇s relation with narration and narration＇s relation with lyricism.

关 键 词：《伤逝》 “抒情性” 悖论性 困境 

分 类 号：I210.6[文学—中国文学]