论《安世房中歌》与汉初宗庙祭乐的创制  

An Investigation on The Seventeen Temple Hymns with the Creation of Temple System in the Beginning of Han Dynasty

作　　者：张树国[1] 

机构地区：[1]杭州师范大学古代文学与文献研究中心,浙江杭州310036

出　　处：《杭州师范大学学报（社会科学版）》2010年第5期70-77,共8页Journal of Hangzhou Normal University(Humanities and Social Sciences)

基　　金：2009年国家社科基金项目"汉-唐国家祭祀形态与郊庙歌辞研究"(09BZW021);教育部人文社科项目"汉-唐郊庙歌辞研究"(06JA75011-44024)阶段性成果

摘　　要：《安世房中歌》17章最早记录于《汉书·礼乐志》,题为唐山夫人所作。清代以来争议不断。《安世房中歌》应包括"房中燕乐"和"房中祠乐"两部分,"房中燕乐"即周汉以来通称的"房中乐",包括"大海荡荡"等4首杂言体的楚声作品,为唐山夫人所作;其他13首"房中祠乐"是四言体的雅诗作品,为叔孙通所作之宗庙乐章。高祖驾崩以后,叔孙通采用古礼及秦仪制作宗庙乐章即"安世乐",诗中的"祖庙"即高庙,诗篇盛陈高祖功德。《安世房中歌》组诗本为祭祀高庙而作,吸收了高祖唐山夫人的四首楚声作品,在缅怀高祖文治武功的同时,施教申申,强调孝德,对参与祭祀的公卿、宗室、受封诸侯们施以教训,是庙祀组诗中的代表作品。The seventeen temple Hymns was recorded in the historical book of Hanshu and its author was named Mrs Tangshan who was a wife of Emperor Liubang.Actually the seventeen temple Hymns had two parts： one was the odes of offering sacrifices in House and the other was banquet odes in House.The banquet odes included 4 poems which were characteristic of the music rhythm of the Chu area,were written by Mrs Tangshan,and others included 13 poems characteristic of the Ya music written by Shu Suntong,which was used to offer sacrifices to the temple of Emperor Liubang after he died.The seventeen temple hymns were representative works which absorbed the 4 poems written by Mrs Tang-shan.Its content concentrated on cherishing the memory of Emperor Liubang and simultaneously teaching the feudal lords with moral lessons in the ancestral temple.

关 键 词：《安世房中歌》 房中燕乐 房中祠乐 庙祀组诗 

分 类 号：I206.2[文学—中国文学]