边贡文学地位辨析及其诗歌特征简论  

An Analysis of BianGong's Literary Position and the Features of His Poetry

作　　者：周潇[1] 

机构地区：[1]青岛大学师范学院中文系,山东青岛266071

出　　处：《青岛大学师范学院学报》2010年第3期66-70,共5页Journal of Teachers College Qingdao University

基　　金：2009年度山东省社会科学规划研究项目"山东明代文学史"(09DWXZ02);2008年度山东省教育厅人文社科研究计划项目"明代山东文学史"(J08WA21)系列成果之一

摘　　要：明代"弘正四杰"中,对边贡与徐祯卿地位的高低,颇存争议,但边贡律诗尤其是五言诗的成就,却是有目共睹的,实无愧于其他三家。边贡五律,呈现出飘逸俊秀、平淡和粹、感情真挚深婉的风格特征;其怀古七律精深沉稳,意蕴深含,于沉稳处见流利。不足之处则是"气格少让"、"边幅较狭"。Among the four outstanding poets in Hong Zheng period of the Ming Dynasty,who enjoys a higher literary position is being disputed.However,the Bian Gong＇s eight-lined poems,especially the poems with five characters in a line,are highly praised,for they are well-versed in an emotional and placid manner.In addition,his poems about meditation on the past with seven characters in a line are poetic and profound.But the shortcomings of his poems lie in the limited scope in content and lack of sublimeness.

关 键 词：边贡 前七子 弘正四杰 明代诗歌 

分 类 号：I206.2[文学—中国文学]