唐宋派文学思想发展的几个理论维度  

On Several Theoretical Literature Thoughts of Tangsong School

作　　者：刘尊举[1] 

机构地区：[1]首都师范大学文学院,北京100048

出　　处：《南开学报（哲学社会科学版）》2010年第5期94-99,共6页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社科基金青年项目(09CZW034)

摘　　要：唐宋派文学思想的演变主要在三个维度上展开:一、义法关系从平衡走向断裂,其后又渐趋融合;二、表现对象逐渐内移,主体心灵的地位日益彰显;三、文学创作的价值取向逐渐从"道学"向着"文学"自身回归。唐宋派诸人对义法关系的处理方式,体现了他们对唐宋以来古文创作经验的总结与承继,从中亦可看到清代桐城派"义法"理论的雏形。他们对创作主体之心灵地位的大力张扬,及其浓重的道德或心性主义色彩,则体现了阳明心学对明代文学积极的和消极的复杂影响,以及唐宋派在明代文学从重格法到重自我的转变过程中的过渡性角色。而他们在"道学"与"文学"之间的摇摆与游离,则体现了中国古代士人在价值取向上对文学创作所抱有的微妙态度,为我们深入理解中国古人的文学价值观念提供了一个生动的案例。There are three main literature thoughts of Tangsong School as following：Firstly,the Tangsong School took a changing thought about the relations between the thoughts and form of articles from balance to fracture,and later becoming integrated which reflected their summary and inheritance of prose writing experiences from Tang-Song period,and influenced the Tongcheng School in Qing period.Secondly,they attached importance to the spiritual position of the subject and they had strong moral or smacks of mind which reflected Wang Yangming＇s mind ideas giving strong influence on Ming literature with positive or negative effects and their transitional role in the process of from pro-pattern to pro-self in the history of Ming literature.Thirdly,the trend of literature values transferred gradually from the＂Daoism＂toward＂literature＂itself regression which reflected ancient Chinese writers＇ subtle approach to literature,and a vivid case for us to understand the literature value of ancient Chinese people.

关 键 词：义法关系 主体心灵 价值取向 

分 类 号：I206.2[文学—中国文学]