论琵琶曲中的模拟音效——兼谈左右手技法的运用  

On the Imitated Sound Effects in Pipa Music

作　　者：周红[1] 

机构地区：[1]武汉音乐学院民乐系

出　　处：《黄钟（武汉音乐学院学报）》2010年第4期174-179,共6页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：模拟音乐在各类琵琶乐曲中,从象征性到几可乱真的不同程度模拟,并不是生搬硬套的或者卖弄技巧的存在于乐曲中,而是有机的结合于乐曲中。它们通过左、右手各种技法的模拟运用,使音乐形象更加逼真鲜明、精彩别致,是乐曲不可分割的一部分。The imitated sound effects, with degree from token to almost real, which combined the music naturally rather than a gallery shot, are usually used in pipa music. Through the technique of both hands, those kind of sound effects made the imagination of music being more vivid therefore they are inalienable part of the pipa music piece.

关 键 词：琵琶 演奏 模拟音效 技法 传统乐曲 锣鼓音乐 

分 类 号：J632.33[艺术—音乐]