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作 者:张文诺[1]
出 处:《山西大学学报(哲学社会科学版)》2010年第4期48-52,共5页Journal of Shanxi University(Philosophy and Social Science Edition)
摘 要:"文艺的工农兵方向"确立以后,解放区作家开始按照主流文学规范进行创作,出现了一系列大众化的文学作品。但文学毕竟不是政治,在一些艺术成就较高的文本中,我们仍然可以感受到文学的形象、审美对主流政治的疏离和消解,在一些积极实践文艺大众化的作家身上,我们发现了他们在自我言说与被主流政治言说的边缘游移、徘徊的写作状态。发掘研究这种写作状态中存在的政治主流话语与知识分子话语、民间伦理话语之间的摩擦、冲突,以及政治主流话语对非政治主流话语渗透的现象,有利于深化解放区文学的研究,也有利于还原解放区文学复杂的历史面貌。After the orientation of the literature and art serving for the mass was determined,the writers in the liber-ated areas began to create works according to the main stream literature standard and a series of popular works came into being.However,literature is not politics after all.In the text of high artistic achievement,we can still feel both the alienation the literary image and aesthetics from the main stream politics and their solution in the main stream politics.We have found those who practiced the literature and art popularization were in such a writing state as wandering between self-speaking and passive speaking for main stream politics.It is advantageous for us to deep-en the research of the literature in the liberated areas and to restore the original shape of the literature in the liber-ated areas to discuss the friction and conflict among the main stream political discourse and the intellectual dis-course or the folk discourse.
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