叶·格里什科维茨独角戏的颠覆意识  

On the Subversion Consciousness of Grishkovets' Monodrama

作　　者：王丽丹[1] 

机构地区：[1]大连外国语学院俄语系,辽宁大连116044

出　　处：《沈阳教育学院学报》2010年第5期5-8,11,共5页Journal of Shenyang College of Education

基　　金：辽宁省教育厅高等学校优秀人才项目(2006R15)

摘　　要：阐述了俄罗斯当代剧作家格里什科维茨以其极具探索性和实验性的独角戏打破了俄罗斯戏剧传统,为观众带来了全新的文化体验和审美享受。认为作家以结构自由的戏剧、简单纯净的舞台、另类脱俗的语言、标新立异的表现手段实现了对传统戏剧艺术的颠覆与解构,形成了独具特色的格里什科维茨戏剧现象。It is clarified that the Russian dramatist Grishkovets broke with theatrical tradition for his experimental monodrama which has brought the audience to a new cultural experience and aesthetic pleasure.With the drama with free structure,the simple stage scenery,the alternative theatrical language and the inimitable technique of ex-pression,Grishkovets has brought the subversion and deconstruction into the traditional dramatic art and therefore an unique Grishkovets theatrical phenomenon has been formed.

关 键 词：格里什科维茨 独角戏 另类语言 颠覆与解构 

分 类 号：I106.4[文学—世界文学]