编导技法在编创宫廷舞和性格舞中的应用研究  

Application of Choreographic Techniques in Recovery of Palace Dance and Character Dance

作　　者：杨越[1] 

机构地区：[1]北京舞蹈学院芭蕾舞系,北京100081

出　　处：《北京舞蹈学院学报》2010年第3期12-17,共6页Journal of Beijing Dance Academy

摘　　要：传承古典芭蕾历史文化是芭蕾舞得以持续发展的坚实基础。因此,整理、编创一批优秀、经典的宫廷舞段和性格舞蹈,对于芭蕾舞学科的教学应用是极其重要的。本文以北京舞蹈学院芭蕾舞专业2006级本科学生《宫廷舞蹈和性格舞蹈集锦》的毕业展示为例,阐述运用编导技法对传统舞段进行整理和编创的实践过程,旨在强调编导技法在教学实践应用中的重要性。Inheritance of classic ballet culture in history is the solid foundation for the sustainable development of ballet. Therefore, recovering and reorganizing a group of excellent and classic palace dance passages and character dances is extremely important to the teaching practice of ballet as an academic subject. Taking as an example Palace Dance and Character Dance Collections, the graduation showcase by undergraduate ballet majors of Grade 2006 in Beijing Dance Academy, this essay focuses on the significance of choreographic techniques in teaching practice by elaborating how traditional dance passages are practically reorganized and created.

关 键 词：宫廷舞蹈 性格舞蹈 编导技法 教学实践应用 

分 类 号：J702[艺术—舞蹈]