青海黄南藏戏遗产传承与表述——以托叶玛乡西顷村蒙古族藏戏演述与文化认同田野考察为例  

Inheritance and Expression of Qinghai Huangnan Tibetan Opera——Case study of the Tibetan Opera performance of Xiqing Village Tuoyema Township and fieldwork of cultural Identity

作　　者：曹娅丽[1] 

机构地区：[1]青海民族大学,青海西宁810007

出　　处：《内蒙古大学艺术学院学报》2010年第3期5-12,共8页Journal of Art College of Inner Mongolia University

基　　金：国家哲学社会科学基金项目"唐蕃古道文化遗产的人类学研究"阶段性成果;项目批准号:07BMZ027

摘　　要：采取民族学与戏剧民族志的研究方法,以青海黄南藏族自治州河南蒙古族自治县托叶玛乡西顷村藏戏表述与文化认同为例,进行田野考察研究。立足于托叶玛乡西顷村藏戏的演述特点,从藏戏在蒙古族僧俗群众中的传承与表述、蒙古族认同藏戏的文化背景和信仰特征入手,探析了藏戏在蒙古族族群流变中的民族文化认同和作为非物质文化遗产的藏戏在蒙古族群中的文化认同。Taking Ethnology and drama ethnographic research methods, taking Tibetan Opera performance of Xiqing Vil- lage Tuoyema Township and fieldwork of cultural Identity as example, this article is based on the performance features of the op- era, examining the inheritance and expression of Tibetan Mongolian monks, the cultural background of Tibetan Mongolian identity and belief characteristic to research on the national cultural identity of Tibetan opera in Mongolian ethnic group and the cultural identity of Tibetan opera as a and intangible heritage in the Mongolian cultural groups.

关 键 词：青海 藏戏艺术 蒙古族 传承 文化认同 

分 类 号：J825[艺术—戏剧戏曲]